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スターダスト計画に分離主義も加担していた

戦時中から始まったスターダスト計画は、帝国の極秘プロジェクトです。 ジオノージアンが作り出した設計を基に、惑星を破壊できる兵器を建造します。 設計段階から分離主義勢力が関与していたのです。 クローン戦争の長期化に頭を悩ますパルパティーンは、戦況を打開できる究極の破壊兵器を建造させます。使う事で戦争を終わらせられる絶対的な兵器です。疲弊した国力を癒せる。 当然、皇帝の夢を叶えるには莫大な資源が必要になります。 クローン戦争における共和国の絶対的勝利に固執していたパルパティーンは、共和国の資源のみでは不十分であると思い知らされます。銀河全域の資源が必要でした。 シディアスが分離主義勢力にもスターダスト計画に資源を投入させればいいのです。 つまり戦争の敵味方双方から投資させます。クローン戦争は勝敗の次元を越え、歴史上過激な戦いで銀河を再構築するのが目的でしたから、戦況が激しく長期化する程、スターダストへの投資が倍増します。 皇帝は、クローンウォーズ計画の原理をスターダスト計画に巧妙に適用したのです。 銀河全域の兵器産業が、そうとは知らずにデススター建造に加担していた。 惑星を一瞬で破壊できる兵器は実現できる。シスに不可能はない。 デススター完成まで戦争を長引かせたかった皇帝でしたが、結局デススターの完成は戦後です。帝国が賠償させた分離主義の資産を使います。 皇帝の忍耐が試されました。クローン戦争をもっと長引かせたいのが本音だったでしょう。 デススターの利用で共和国に絶対的な勝利をもたらすプランに皇帝はこだわっていたが実現しなかった。クローン戦争がもたらしたデススターの破壊力で銀河を驚かせたかったのです。 戦争の長期化泥沼化に頭を悩ましていた皇帝の忍耐が究極の兵器を生んだ。 絶対的な兵器は、第二のクローン戦争を防ぐ。

Attempt to recreate Lucas' filmmaking style

The sequence is being verified in preparation for the production of the theatrical version of EP X. (Sorry for being so bossy.)

It seems that they are examining not only the sequence as a movie work, but also the production system and process. The Rise of Skywalker was forced to follow a short, forced schedule that was unreasonable.


For the production system and process, I would like you to refer to the highly acclaimed prequels.

By carefully investing time and money, we allow the audience to experience a profound worldview and atmosphere. Complete EP X, which is like a prequel. This is because a level of perfection is required that cannot be experienced in dramas.


Dare to adopt methods that are not in keeping with the times. Just because the world moves so fast, I don't want people to rush to release it in theaters.

If you are a professional who has successfully created a short-term forced schedule, I would like you to seriously try to follow in the footsteps of Lucas.


Elevate the status of designers and make them dominant.

Most sci-fi movies have the designers come up with the design after developing the story, but Lucas did the opposite. He was simultaneously working on design work such as mecha, locations, and concept art, as well as writing the script.

Lucas's method has been preserved in video form, so it can be used as a reference.


The focus on location has been revived, and new vehicles have been introduced.

I think they will use ILM's highest level graphic technology, which surpasses EP3's CG. Of course, Sequel's resources will also be used. CG technology itself has advanced considerably, so it is possible to achieve visual beauty that surpasses that of the prequels. I have high hopes for Mr. John Knoll's skills.


It happens every three years, but dramas can be streamed during that time. However, since the production period is long, care must be taken in controlling information. This method was safe in the past, but it is dangerous in today's SNS society.


(I was really lucky to be able to experience the visual beauty of the prequels in real time in the past. Thank you, Lucas. People who started watching the prequels wouldn't understand. Even if video technology advances by leaps and bounds, time Nowadays, we don't have a lot of money to spend. Time is precious.) (The factors that have made us a speedy society are improvements in the processing power of processors and lower prices of processors.)

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